Tascam DA-98HR Manuel d'utilisateur Page 21
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- MARQUE LIVRES
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3 – Connections–Control connections
TASCAM DA-98HR 21
“DTRS synchronization”, the WORD SYNC jacks do
not need to be connected between the DTRS units.
3.3 Control connections
3.3.1 RS-422 connector
This connector is used to connect the DA-98HR to
other controllers or editors which will control the
DA-98HR using the Sony P2 protocol, or a bus pro-
tocol. See 10, “External control” for details.
If you are in doubt about the compatibility of such a
device, please consult TASCAM or your TASCAM
dealer, who will be able to advise you.
The DA-98HR can emulate (through software con-
trol accessed through menu 6) a number of devices
for compatibility with almost any controller.
3.3.2 MIDI connectors (IN , OUT and
THRU)
These standard 5-pin DIN MIDI connectors q are
used to carry MIDI Time Code (MTC) and MIDI
Machine Control (MMC) information between the
DA-98HR and other suitably-equipped units (for
instance, sequencers capable of being synchronized
to MTC, and capable of transmitting MMC
commands).
The MIDI functions are accessed through menu
group 7. See 10.5, “MIDI Machine Control” for full
details.
Note the difference between
MIDI OUT and MIDI
THRU
. The OUT connector outputs signals which
originate from the DA-98HR. The
THRU connector
echoes messages received at the IN.
3.3.3 Parallel control
Parallel control by and of the DA-98HR is performed
through the
CONTROL I/O port r. See this section
for details of how to connect other equipment to this
port.
3.4 Connection to other
TASCAM units
By a “TASCAM unit”, we mean another DA-98HR,
a DA-98, a DA-88 or a DA-38 unit, or an optional
remote control unit, or digital mixing console incor-
porating remote control facilities, which may also be
connected in a “chain” with multiple DTRS units.
3.4.1 Multiple DTRS units
Use a TASCAM PW-88S cable when connecting
other units to the
REMOTE/SYNC IN connector s or
to the
SYNC OUT connector t.
This synchronization cable will carry the internal
synchronization code and the transport signals, etc.
There is no need to make any other connections,
apart from the audio connections (either digital or
analog).
If more than one DTRS unit is to be used, the first
unit in the chain must have its Machine ID set to “1”,
(“0” in the case of DA-88s) and subsequent units
must have their IDs set in order with no gaps in the
numbering sequence. Note that the diagram below
does not show any audio connections.
See 8.2.2, “Setting machine ID” for details of setting
the Machine ID using menu group 3.
NOTE
S
The last unit in the chain must be terminated (a TASCAM
termination plug must be plugged into the
SYNC OUT
of
the last machine in the chain.
Once again, only use TASCAM cables for connection of
equipment to and from the DA-98HR.
The total length of remote/sync cables in the chain should
not exceed 15 m (approximately 50 ft.).
3.4.2 “Indirect” word sync
As mentioned earlier, there is usually no need to use
a word clock when connecting DTRS units together.
There is, however, a special case when it is necessary
to carry external word sync between DTRS units.
This is when a slave DTRS unit is recording digitally
from another digital audio device:
Machine ID 1
(master)
Machine ID 2
(slave 1)
Machine ID 3
(slave 2)
Termination
plug
PW-88S PW-88S
ＰＵＳＨ ＰＵＳＨＰＵＳＨ
ＰＵＳＨ ＰＵＳＨ
Machine ID 1
(master, but
CLOCK set to
WORD)
Termination
plug
PW-88S
IF-88SD
TDIF-1 digital
audio
Digital SDIF-2
device
SDIF-2
Machine ID 2
(slave 1)
digital audio
Word clock signal
- Digital Multitrack Recorder 1
- Important Safety Precautions 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- Table of Contents 4
- 8 – DTRS synchronization 5
- 10 – External control 5
- 1.1 Unpacking 7
- 1.2 Features 7
- 8 TASCAM DA-98HR 8
- 1.3 Using this manual 8
- 1.4 Notes and precautions 8
- 1.4.2 Confidence replay 9
- 1.4.4 Installing the DA-98HR 9
- 10 TASCAM DA-98HR 10
- 1.5 Recommended tapes 10
- 1.5.1 Tape brands 11
- 2 – Front and rear panels 12
- 14 TASCAM DA-98HR 14
- 16 TASCAM DA-98HR 16
- 2.2 Rear Panel connectors 17
- 18 TASCAM DA-98HR 18
- 3 – Connections 19
- 20 TASCAM DA-98HR 20
- 3.2 Synchronization 20
- 3.3 Control connections 21
- 3.4 Connection to other 21
- TASCAM units 21
- 22 TASCAM DA-98HR 22
- 4 – Menu operations 23
- 24 TASCAM DA-98HR 24
- 4.2 About the function keys 24
- 4.3 Assigning menus to 25
- 26 TASCAM DA-98HR 26
- 5 – Monitoring modes 27
- 28 TASCAM DA-98HR 28
- 5.2 Patching the outputs 28
- 5.3 Confidence mode 28
- 5.4 Mixdown patchbay 29
- 30 TASCAM DA-98HR 30
- 6 – Basic Operations 31
- 4x 4x —————— 32
- 2x 2x 2x 2x ———— 32
- 2x 2x 2x base base ——— 32
- 2x 2x base base base base —— 32
- Select Track fs 33
- 176k 88k 44k 33
- 34 TASCAM DA-98HR 34
- 6.4 Overdubbing 35
- 6.5 Track bouncing 35
- 6.6 Punch-in and punch-out 35
- 36 TASCAM DA-98HR 36
- 38 TASCAM DA-98HR 38
- M so that the indicator 39
- 6.6.10 Exiting punch-in mode 39
- G to exit the AUTO 39
- 7 – Advanced operations 40
- 7.2 Function key location 41
- 42 TASCAM DA-98HR 42
- 7.3 Track delay 42
- 7.4 Crossfade time 43
- 44 TASCAM DA-98HR 44
- 7.6 Shuttle operations 44
- Shuttle Mute 45
- TASCAM –16 dB +4 dBu +20 dBu 45
- SMPTE –20 dB +4 dBu +24 dBu 45
- Sine Oscillator 46
- TDIF Word Length 46
- 7.11 REC MUTE (recording 47
- 48 TASCAM DA-98HR 48
- 7.12 Dither 48
- 7.13 Output word length 48
- 7.15 Setting the power-on 49
- 8.3 DTRS emulation 51
- 52 TASCAM DA-98HR 52
- 8.4 Machine offset 52
- 8.4.5 Clock mode 53
- 54 TASCAM DA-98HR 54
- 8.5 Digital dubbing 54
- 8.6 Error messages 55
- 00 – 01 33 56
- 01 – 02 33 56
- 02 – 03 34 56
- 9.2 Tape timecode mode 57
- 58 TASCAM DA-98HR 58
- 9.3 Recording timecode 58
- 60 TASCAM DA-98HR 60
- 62 TASCAM DA-98HR 62
- 9.4 Selecting the frame rate 62
- 9.5 Timecode input and output 62
- settings, but can use 63
- 9.5.3 Timecode output format 63
- , “Machine offset”) 64
- +00:10:00:00) 66
- 9.7 Video resolution 67
- 68 TASCAM DA-98HR 68
- 70 TASCAM DA-98HR 70
- U and REW T keys light. If 71
- 10.3.6 Track mapping 71
- 10.3.7 Timecode track mapping 71
- 72 TASCAM DA-98HR 72
- 10.4 Bus protocol 72
- 10.5 MIDI Machine Control 72
- TASCAM DA-98HR 73 73
- 74 TASCAM DA-98HR 74
- 11.1 Menu groups 74
- Time value to 75
- Time to sub 76
- E m l D e v T C R e c E N 77
- R e c D l y F a s t S p d 77
- T r k M a p C u e u p T l y 77
- M T C O u t M I D I I D 77
- 9.2, “Tape timecode 78
- C b i t M o d e 79
- O u t W d L e n M i x D o w n 79
- 80 TASCAM DA-98HR 80
- 11.2 Menu item index 81
- 82 TASCAM DA-98HR 82
- 12 – Maintenance and settings 83
- 84 TASCAM DA-98HR 84
- 12.2 Checking error rates 84
- 12.3 Memory backup 84
- 12.4 User setups in RAM 85
- 86 TASCAM DA-98HR 86
- 12.5 Tape storage of settings 86
- 12.6 Checking version numbers 87
- 88 TASCAM DA-98HR 88
- 13.1 DA-98HR options 88
- 13.2 Specifications 89
- Up to 24 hours (jamsync 90
- 13.3 MMC Bit Map Array 91
- 92 TASCAM DA-98HR 92
- TASCAM DA-98HR 93 93
- 94 TASCAM DA-98HR 94
- 13.5 MIDI Control Change 94
- 13.6 MIDI System Exclusive 94
- 13.6.6 Input Patch setup 95
- 96 TASCAM DA-98HR 96
- 98 TASCAM DA-98HR 98
- Printed in Japan S MA-379A 100
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